The Purpose of Humanity is Illumination, Enlightenment - Angel Talent Bodies, Radiation of Love, Evolution, Creation of Ascended Masters

The purpose of Humanity is as a mechanism to create Advanced Angels which in the future will radiate the Energy of Love, Second Ray Energies, to the Universe from this planet, which is scheduled to become a Sacred Planet.

The method chosen by the Archangel in charge of this planet, is that of Free Will.

By giving Free Will to all Humanity, we all have the lesson that we only have the Free Will to do the Right Thing.

Anything less results in Negative Karma, retribution, bad results for everyone, bad luck.

Free Will results in Evolution. From what we are given at birth, Body, Mind, Chakras, an Antahkarana connection to the Universe, comes the creation of Psychic Mechanisms, talents, to augment and improve on that which has been given.

As single cells join together to form organs and organs get together to form a man, through serendipity over many lifetimes single angels get together to form aggregations of angels in the form of a talent.

At first these talents are striped through and surrounded by Trauma-Formed Negative Karmic Mass which is impervious to pure spiritual energies in that it acts like lead to stop the entrance of spiritual alpha, beta and gamma particles. Trauma-Formed Negative Karmic Mass is Ignorance because it cuts you off from that knowledge which is higher than the Mind.

Through the Seven Step Process we also integrate these purified Talents with the higher chakras - thus increasing their size, complexity, and ability to handle more and higher energies, and eventually channel the Energy of Love, the Second ray Energies.

This process of Integration is like fusion of one crystal with another in a "Skull Melt" where we align and integrate the Angel Talents with the Higher Chakras like crystals - the angels become aligned in crystalline matrices - which increases also their speed and purity of purpose.

This fusion process starts with the Astral Initiation of Illumination or Enlightenment when Ascended Masters surround the Initiate and focus the Higher Energies of Illumination on him in order to create this Fusion, which creates a purified crystalline structure which cannot be perverted ever again, between the Soul Chakra and the Crown Chakra and all the chakras below it.

In order to help speed up this Aggregation of Talents, normal evolution through serendipity is superceded by the aggregation of Talents and psychic structures taken from human beings who are truly evil, who cannot be changed, until they are healed by the Enlightened.

The end result of this is highly talented Angels and Ascended masters who can truly align with the Will of God on this planet.

JOHN 8

1. JESUS WENT INTO THE MOUNT OF OLIVES.

2. AND EARLY IN THE MORNING HE CAME AGAIN INTO THE TEMPLE, AND ALL THE PEOPLE CAME UNTO HIM; AND HE SAT DOWN, AND TAUGHT THEM.

3. AND THE SCRIBES AND PHARISEES BROUGHT UNTO HIM A WOMAN TAKEN IN ADULTERY; AND WHEN THEY HAD SET HER IN THE MIDST,

4. THEY SAID UNTO HIM, MASTER, THIS WOMAN WAS TAKEN IN ADULTERY, IN THE VERY ACT.

5. NOW MOSES IN THE LAW COMMANDED US, THAT SUCH SHOULD BE STONED: BUT WHAT SAYEST THOU?

6. THIS THEY SAID, TEMPTING HIM, THAT THEY MIGHT HAVE TO ACCUSE HIM. BUT JESUS STOOPED DOWN, AND WITH HIS FINGER WROTE ON THE GROUND, AS THOUGH HE HEARD THEM NOT.

7. SO WHEN THEY CONTINUED ASKING HIM, HE LIFTED UP HIMSELF, AND SAID UNTO THEM, HE THAT IS WITHOUT SIN AMONG YOU, LET HIM FIRST CAST A STONE AT HER.

8. AND AGAIN HE STOOPED DOWN, AND WROTE ON THE GROUND.

9. AND THEY WHICH HEARD IT, BEING CONVICTED BY THEIR OWN CONSCIENCE, WENT OUT ONE BY ONE, BEGINNING AT THE ELDEST, EVEN UNTO THE LAST: AND JESUS WAS LEFT ALONE, AND THE WOMAN STANDING IN THE MIDST.

10. WHEN JESUS HAD LIFTED UP HIMSELF, AND SAW NONE BUT THE WOMAN, HE SAID UNTO HER, WOMAN, WHERE ARE THOSE THINE ACCUSERS? HATH NO MAN CONDEMNED THEE?

11. SHE SAID, NO MAN, LORD. AND JESUS SAID UNTO HER, NEITHER DO I CONDEMN THEE: GO, AND SIN NO MORE.

Religion always deteriorates into morality. Morality is dead religion. Religion is alive morality. They never meet, they cannot meet because life and death never meet, light and darkness never meet. But the problem is that they look very alike -- the corpse looks very like the living man. Everything is just like when the man was alive: the same face, the same eyes, the same nose, the hair, the body. Just one thing is missing, and that one thing is invisible.

Life is missing, but life is not tangible and not visible. So when a man is dead, he looks as if he is still alive. And with the problem of morality, it becomes more complex.

Morality looks exactly like religion, but it is not. It is a corpse: it stinks of death. Religion is youth, religion is freshness -- the freshness of the flowers and the freshness of the morning dew. Religion is splendour -- the splendour of the stars, of life, of existence itself. When religion is there, there is no morality at all and the person is moral. But there is no morality; there is no idea of what morality is. It is just natural; it follows you as your shadow follows you. You need not carry your shadow, you need not think about your shadow. You need not look back again and again and see whether the shadow is following you still or not. It follows.

Just like that, morality follows a religious person. He never considers it, he never deliberately thinks about it; it is his natural flavour. But when religion is dead, when life has disappeared, then one starts thinking about morality continuously. Consciousness has disappeared, and conscience becomes the only shelter.

Conscience is a pseudo phenomenon. Consciousness is yours, conscience is borrowed. Conscience is of the society of the collective mind; it does not arise in your own being. When you are conscious you act rightly because your act is conscious, and the conscious act can never go wrong. When your eyes are fully open and there is light, you don't try to get through the wall, you go through the door. When there is no light and your eyes are also not functioning well, naturally you grope in the dark. You have to think a thousand and one times where the door is -- 'To the left, to the right? Am I moving in the right direction?' And you stumble upon the furniture, and you try to get out through the wall.

A religious person is one who has eyes to see, who has awareness. In that awareness actions are naturally good. Let me repeat: naturally good. Not that you manage them to be good. Managed goodness is not goodness at all. It is pseudo, it is pretension, it is hypocrisy. When goodness is natural, spontaneous, just as trees are green and the sky is blue, so is the religious man moral -- completely unaware of his morality. Aware of himself but unaware of his morality, he has no idea that he is moral, that he is good, that what he is doing is right. Out of his awareness comes innocence, out of his awareness comes the right act -- of its own accord. It has not to be brought, it has not to be cultivated, it has not to be practised. Then morality has a beauty, but it is no more morality; it is simply moral. In fact, it is just a religious way of living.

But when religion has disappeared, then you have to manage it. Then you have to constantly think about what is right and what is wrong. And how are you going to decide what is right and what is wrong? You don't have your own eyes to see, you don't have your own heart to feel. You are dead and dull. YoU don't have your own intelligence to go into matters, then you have to depend on the collective mind that surrounds you.

Religiousness has one flavour -- whether you are Christian or Hindu or Mohammedan does not make any difference. A religious person is simply religious. He is neither Hindu nor Mohammedan nor Christian. But a moral person is not just moral. Either he is Hindu or Christian or Mohammedan or Buddhist, because morality has to be learnt from the outside. If you are born in a Buddhist country, in a Buddhist society, you will learn the Buddhist morality. If you are born in a Christian world, you will learn the Christian morality. You will learn from others. and you HAVE to learn from others because you don t have your own insight. So morality is borrowed; it is social, it is mob -- it comes from the masses.

And from where does it come to the masses? -- from tradition. They have heard what is right and what is wrong, and they have carried it down the ages. It is being given from one generation to another. Nobody bothers whether it is a corpse, nobody bothers whether the heart beats still; it goes on being given from one generation to another. It is dull, dead, heavy; it kills joy, it is a killjoy. It kills celebration, it kills laughter, it makes people ugly, it makes people heavy, monotonous, boring. But it has a long tradition.

Another thing to be remembered: religion is always born anew. In Jesus, religion is born again. It is not the same religion that was with Moses. It has not come from Moses. It has no continuity with the past; it is utterly discontinuous with the past.

It arises again and again just like a flower comes on the rose bush. It has nothing to do with the flowers that had come before on the rose bush. It is discontinuous. It comes on its own; it has no past, no history, no biography. For the moment it is there, and for the moment it is so beautifully there, so authentically there. For the moment it is so strong, so alive, and yet so fragile. In the morning sun it was so young... by the evening it will be gone, the petals will start falling down into the earth from which they had come in the first place. And it will not leave any trace behind: if you come the next day, it is no more there. And it has not left any marks; it has simply disappeared. As it has come out of nothingness, so it has gone back to nothingness, to the original source.

Just like that is religion. When it happens in a Buddha, it is fresh, young, like a rose flower. Then it disappears, it leaves no traces. Buddha has said 'Religion is like a bird flying in the sky, it leaves no foot-marks.' Then it happens in a Moses -- it is fresh, young again. Then in Jesus -- it is fresh and young again. And when it will happen to you, it will not have any continuity, it will not come from somebody else -- Christ, Buddha, me; it will not come from anybody else. It will ARISE in you, it will bloom in you. It will be a flowering of your being, and then it will be gone. You cannot give it to anybody; it is not transferable. It cannot be given, cannot be borrowed; it is not a thing.

Yes, if somebody wants to learn, it can be learnt. If somebody wants to imbibe, it can be imbibed. When a disciple learns around a Master, absorbs the vibes of the Master, then too it is something that is happening within him. Maybe he gets the challenge, the provocation, the call from the outside, but that which arises, arises in him, utterly in him; it does not come from the outside. It may be like you are not aware that you can sing; you have never tried, you have never thought about the possibility. Then one day you see a singer, and suddenly his song starts pulsating around you, and in a moment of awakening you become aware that you have also got a throat and a heart. And now, suddenly, for the first time, you become also aware that there has been a song hidden in you, and you release it. But the song comes from your innermost core, it arises from your being. Maybe the provocation, the call came from the outside, but not the song.

So the Master is a catalytic agent. His presence provokes something in you, his presence does not function as a cause.

C.G. Jung is right in bringing a new concept to the Western world. It has existed in the East for centuries -- the concept of synchronicity. There are things which happen as cause and effect, and there are things which don't happen as cause and effect, but just by synchronicity. This idea has to be understood, because this idea will help you to understand the difference between morality and religion.

Morality is cause and effect. Your father, your mother have taught you something: they function as the cause, and then the effect goes on continuing in you. Then you will teach your children: you will become the cause, and the effect will continue in your children. But listening to a singer, suddenly you start humming a tune. There is no cause-and-effect relationship. The singer is not the cause, and you are not the effect. You have caused the effect yourself -- you are both the cause and the effect. The singer functioned only as a remembrance, the singer functioned only as a catalytic agent.

What has happened to me I cannot give to you. Not that I don't want to give it to you, no -- because it cannot be given, its very nature is such that it cannot be given -- but I can present it to you, I can make it available to you. Seeing that it is possible, seeing that it has happened to another man, 'Why not to me?' suddenly something clicks inside you, you become alert to a possibility, alert to a door that is in you but you were never looking at, you had forgotten it. And something starts sprouting in you.

I function as a catalytic agent not as a cause. The concept of synchronicity simply says that one thing can start something somewhere without it being a cause. It says that if somebody plays sitar in a room where another sitar has been placed in the corner, and if the player is really a master, a maestro, the sitar that is just sitting there in the corner will start throbbing -- because of the other sitar being played in the room, the vibe, the whole milieu. And the sitar that is just sitting there in the corner -- nobody is playing it, nobody is touching it -- you can see its strings vibrating, whispering. Something that is hidden is surfacing, something that was not manifest is manifesting.

Religion is synchronicity; morality is causal. Morality comes from the outside, religion arises in you. When religion disappears there is only morality, and morality is very dangerous.

First, you don't know yourself what is right, but you start pretending: the hypocrite is created. You start pretending, you start showing that whatsoever you are doing is right. You don't know what right is, and naturally, because you don't know you can only pretend. From the back door you will continue doing the same: that you KNOW it is right. From the back door you will have one life, from the front door, another. From the front door you may be smiling, and from the back door you may be crying and weeping. From the front door you will pretend to be a saint, and from the back door you will be as much of a sinner as anybody else. Your life will become split. This is what is creating schizophrenia in the whole human consciousness. You become two, or many.

Naturally when you are two, there is constant conflict. Naturally when you are many, there is a crowd and much noise, and you can never settle in silence, you can never rest in silence. Silence is possible only when you are one, when there is nobody else within you, when you are one piece -- not fragmented.

Morality creates schizophrenia, split personalities, divisions. A moral person is not an individual because he is divided. Only a religious person is an individual. The moral person has a personality but no individuality. Personality means PERSONA, mask. And he has many personalities, not just one, because he has to have many personalities around him. In different situations, different personalities are needed. With different people, different personalities are needed. To one he shows one face, to another he shows another face. One goes on changing faces.

Watch, and you will see how you go on changing faces every moment. Alone you have one face. In your bathroom you have one face, in the office you have another. Have you observed the fact that in your bathroom you become more childish? Sometimes you can show your tongue to yourself in the mirror, or you can make faces, or you can hum a tune, sing a song, or you can even have a little dance in the bathroom. But while you are dancing or showing your tongue in the mirror, if you become aware that your child is looking through the keyhole, you change -- immediate change! The old face comes back... the father personality. 'This cannot be done in front of the child' otherwise what will he think? -- that you are also like him? So what about that seriousness that you show to him always? You immediately pull down another face; you become serious. The song disappears, the dance disappears, the tongue disappears. You are back into your so-called front-door personality.

Morality creates conflict in you because it creates many faces. And the problem is that when you have many faces, you tend to forget which is your original one. With so many faces how can you remember which is your original one?

The Zen Masters say the first thing for a seeker to know is his original face, because only then can something start. Only the original face can grow, a mask cannot grow. A false face can have no growth. Growth is possible only for the original face, because only the original has life.

So the first thing is to know 'What is my original face?' and it is arduous, because there is a long queue of false faces, and you are lost in your false faces. And sometimes you may think 'This is my original face.' If you go deep into it, you will find this again is a false face, maybe it is more ancient than the others, so it looks more original.

The Zen Masters say: If you really want to see your original face, you will have to go before birth, you will have to conceive of what your face was before you were born, or what your face will be when you are dead.

Between birth and death you have all kinds of false faces. Even a small child starts learning the pseudo tricks, diplomacies. Just a small child -- maybe one day old, just out of the womb -- starts learning, because he sees that if he smiles, then mother feels very good. If he smiles the mother immediately gives her breast to him. If he smiles, the mother comes close, hugs him, pats him. He has learned a trick, that if he wants the mother to be close to him, if he wants to be hugged and kissed and talked to, he has to smile. Now the diplomat is born, the politician is born. Whenever he wants the mother to pull him close... He cannot call, he cannot talk, but he can wait until she looks at him then he can smile. The moment he smiles, the mother comes running. Now whether he feels like smiling in this moment or not is not the point, he wants the mother, he wants to manipulate the mother. He has a trick, a strategy, a technique which he has learned: smile, and mother comes. Then he will go on smiling, and whenever he wants somebody to come close, he will smile. And this face will not be the true face.

Your smiles are not true. Your tears are also not true. Your whole personality is synthetic, plastic. The moral person, the so-called moralist, has many personalities but no individuality. The religious person has individuality but no personality. He is one. His taste is always one.

Buddha is reported to have said: Taste me from anywhere and you will find the same taste as when you taste the sea. From this side, from that side, from this shore, from that shore -- taste the sea from anywhere and it is salty. And Buddha says: So is my taste. Taste me while I am asleep, taste me while I am awake, taste me when somebody is insulting me, taste me when somebody is praising me -- you will always find the same taste, the taste of a Buddha.

The religious person is an individual.

The second thing to be remembered: the moralist is always making efforts to impose his morality on others -- for many reasons. First: he uses his morality to manipulate himself. Naturally, he does the same to others; he starts using his morality to manipulate others. He uses morality for his own strategies, diplomacies. Naturally, he learns a trick: that if he can enforce his morality on others, then things will be easier.

For example, if the moralist speaks the truth, his truth is not very deep. Deep down there are only lies and lies. But at least in society he pretends to speak the truth. He will try to impose his truth on others also. He would like everybody else to speak the truth, because he will be very much afraid that if somebody lies and tricks him, deceives him... And he knows that he himself is lying and deceiving people in subtle words, but on the surface he keeps the truth. And he goes on shouting 'Everybody should be true!' He is very much afraid. He knows that just as he is deceiving others, others may be deceiving him.

Bertrand Russell has said that thieves are always against stealing. A thief has to be against stealing, otherwise somebody will steal things from him. And he has been making so much effort to steal things from others that if others steal things from him, then what will be the point? A thief will always shout 'Stealing is bad! Never steal! You will be thrown into hell!' So nobody steals, then the thief is free to steal.

If nobody speaks untruths, then you can speak untruths and exploit people easily. If everybody speaks untruths, how can you exploit? Just think: a society where everybody speaks untruths, and it is an accepted phenomenon that everybody tells lies. Then you will be at a loss -- you will not be able to cheat people. Whatsoever you say, people will think you are a liar -- 'Everybody tells lies here'; nobody can be deceived. So, in his own interest, the liar has to go on preaching morality. 'Speak the truth, never steal, do this, do that' -- and from the back door he goes on doing just the opposite. This has to be understood.

If somebody's pocket is picked right now -- somebody steals -- then many will be there shouting 'Catch the thief! Kill the thief! Who is there?' And many will shout. Remember, the shouters are just showing one thing: that they are also thieves. By shouting they are showing many things. One thing is: 'Remember, I am not the thief, because I am so much against. Nobody should ever think or suspect me because I am against all of this kind of thing. I am a moral person.' Those who are pickpockets will shout more, and if the real pickpocket is caught, then the pickpockets will beat him to show everybody that they are very much against it.

This is a very very complex phenomenon. A religious person is a totally different person. He will be able to forgive, he will be able to understand. He will be able to see the limitations of man and the problems of man. He will not be so hard and so cruel -- he cannot be. His compassion will be infinite.

Before we enter into these sutras, a few things have to be understood.

First: the concept of sin, the concept of the immoral act. What is immoral? How should we define immorality? and what is the criterion? One thing is immoral in India, another thing is immoral in China. That which is immoral in India may be moral in Iran, and that which is moral in Russia may be immoral in India. There are a thousand and one moralities. How to decide? -- because now that the world has become a global village, there is much confusion. What is right?

To eat meat is right? Is it moral or immoral? The vegetarian says it is immoral. Many Jains have come to me many times and said 'What about Jesus eating meat? How can Jesus be an enlightened person -- and you say that he is enlightened -- how can he be an enlightened person? He eats meat.' For a Jain it is impossible to conceive that Jesus can be enlightened although he eats meat. Jains have come to me and said to me 'How can Ramakrishna be enlightened? He eats fish. He cannot be.' Now they have a very definite criterion with them -- vegetarianism.

One Jain monk was talking to me, and he said 'I cannot believe that Jesus or Ramakrishna are enlightened, they eat meat.'

I told him 'Do you know that there are people in the world who think that to drink milk is almost like eating meat? -- because it is an animal food. Now, milk is an animal food. It is almost like blood because it comes out of the mother's blood. It is also full of live bacteria. There are people in the world, real fanatics, who take things to the very extreme. They say that milk, cheese, and butter are all animal foods -- they have to be avoided.'

I asked the Jain monk 'Mahavir used to drink milk. What do you say? He was drinking an animal food. Was he enlightened or not? Now Indian scriptures say milk is the purest food -- SATTVIKA -- the MOST PURE food is milk. It is not. It is an animal food!'

That Jain monk started perspiring when he heard that milk is an animal food. And he said 'What are you talking about? Milk is the SATTVIK food, the purest food!'

"This is an art movie with an ending that will puzzle many. The ending is really what makes the movie (or breaks it, for those who don't see the beauty of it). It becomes clear then that what Grenouille was trying to do was create a physical distillate of love, the energy of the Soul. Not sex. Not beauty. Love.

And he did it. He created the perfect feeling of love, connection with the Soul, both emotional and physical; a love encompassing perfect eroticism (not just emotionless sex).

And in the end, he did what lovers do: he joined with other people. Yes, they absorbed him entirely, meaning that he became part of them, just as a person in love wishes to become part of his or her lover. But HE represented the very *concept* of love, and his physical absorption by the common people represents their ultimate adoption and understanding of that concept.

Of course, this is an art movie and everything in it is symbolical.

It amounts to a description of what love is and how it works. The movie is saying that love is something real which *can* be defined and understood, and the ultimate consequence of such understanding is that people join with each other (emotionally and sexually). Even if they are strangers. Because everybody is capable of feeling love, and one day maybe everybody will.

It's a beautiful movie. When I left the theater I hadn't pieced everything together yet, and thought I'd rate it an 8 out of 10. But having slept on it, I realized it was a perfect movie. Hence, I must give it a 10 out of 10."

"The novel PERFUME by Susskind, came out about twenty years ago, and was one of those international sensations blending a mystery with the feel and texture of an historical novel, and adding either theological tones (THE NAME OF THE ROSE) or philosophy (PERFUME). From the start the society of the 18th Century is disheartening. It is not the world of the philosophers but the French equivalent of WIlliam Hogarth's "Gin Lane" and "The Rakes Progress". Drunkeness, whores, thieves, violent death, filth, is everywhere (to the point that the viewer can nearly smell everything). Everybody who gets the early Jean Baptiste are not likable people. The woman running the orphanage is greedy and quick to whip the kids (they sense something wrong with Jean Baptiste, and try to smother him - smart kids!)"

"I felt this movie was well acted and as true to the book as it could be. It has a running time of over two hours and none of the minutes are wasted. Historically, it was very true. It has a very beautiful look, despite a lot of the film takes place in Paris slums.

As for the plot line, I love it. It isn't the typical murder story. A guy, blessed with the ability to know all scents, has no scent of his own. He gets whiff of a young girl selling fruit and is taken aback by it. Of course, trying to get full account of her scent, he accidentally kills her, but then realizes he needs her in order to make the world's most seductive perfume, love itself. I was happy they included an orgy scene in this film, anything less would have ruined the point of this film. Even when the main character makes a perfume that is distilled love from the virgins he murdered and people will bow down to him, it still doesn't make him love anyone. He still feels unloved."

Above you can see the impression which other people see in this movie.

All people are not the same...

People can access the energy of Enlightenment by Bhakti or Love which says, not my Will but thy Will be done.

By Karma Yoga which does not take the Fruit of its Action.

By Mantra Yoga. By Hatha Yoga or Discipline, or by Kundalini Yoga Meditation;

They say that you can become Illuminated on any one of the Paths, but then you become Master of ALL the Paths..

In order to throw the Money Lenders out of the Temple!!

Like Gnani Yoga, the Yoga of Knowledge...

By an increase in Psychic Charge - the intensity of the ideas and the brevity of discussion.

THE THREE EVOLUTIONARY TYPES IN DANTES DIVINE COMEDY -

GRENOUILLE THE VAMPIRE AS INHABITANT OF DANTES INFERNO - PLATO'S BRONZE SOULS, WITH A DISCUSSION OF DANTES PURGATORY - PLATO'S SILVER SOULS, AND DANTES PARADISE - PLATOS GOLDEN SOULS - THE ILLUMINATED, THE ENLIGHTENED - ENERGY ENHANCEMENT!!

Dante and Plato divide people into three different types corresponding to their evolution, corresponding to their philosophy, corresponding to negative karmic mass - Trauma - formed, of course.

The Commedia (later called "The Divine Comedy," after Dante's death) is organized into three sections of thirty-three successive cantos each. The term "successive" is crucial. In each section, the ordering of the successive cantos reflects an ordering-principle of evolution, of philosophy, of a way of being.

This ordering-principle is properly termed a "transfinite" in the most rigorous sense of the mathematician Cantor's intent. And the transfinite corresponds to an ordering principle, an evolutionary philosophy which cannot be created from below, but can only be seen from above.

The person who is higher always can understand and therefore forgive, love, the person who is lower.

The person who is evolutionary lower can never understand the person who is higher and therefore like Jesus Christ they say, "I suppose you think you're really good don't you?" "Well, I'll show you!!" from the story of the Monkey in my commentary on the Yoga Sutras of Patanjali.

That is why Christ was crucified which happens with all the enlightened Masters who show themselves. That is why the enlightened always say, "It takes one to know one".

In Energy Enhancement we call these Cantorian..

The Scientific Secrets of Cantor and Reimann and the Chakras above the Head

transfinite ordering principles the chakras above the head, each one hierarchically higher than the last. Each one, higher than the mind, working from the principle of intuition and higher - Chit-Shakti - Intelligent Energy.

Each section of the Commedia is ordered by a different transfinite ordering-principle, evolutionary philosophy, each differing essentially from the other two. The succession of sections represents a third ordering-principle, that which is relatively transfinite in respect to the subsumed three as predicates of this higher-order transfinite.

However, the ordering-principle (conception) embodied in the thirty-third canto of the final section, the "Empyreal," is in agreement with the higher-order transfinite ordering the three sections as a whole. That agreement defines the proper conclusion of the successive development the entire composition.

The configuration is strictly Platonic in all essential features of organization--although the details are, of course, not precisely in agreement with Plato.

In the first section, the "Inferno," the ordering of cantos leads us into the Pit.

This is, of course, an unsatisfactory conclusion of progress to all but the most degraded, masochistic Dionysians. The reaching of the pit demonstrates that the characteristic ordering-principle of the "Inferno" is not acceptable for mankind. The principle to be superseded is that of heteronomic, irrationalist forms of egoistical sensuality.

One case, that of Count Ugolino, is worth citing here. Ugolino, thrown into prison by persecutors, survives for a while by eating his children, for which he is condemned to pass eternity perpetually gnawing on a skull. Egoistical, heteronomic sensuality superseded all reason or even rational morality in Ugolino. So, like one of the "bronze souls" of the "Phoenician myths" in Plato's Republic, Ugolino lives in the hell of perpetually being what he is.

Today, such moral degenerates, like other denizens of the "Inferno," are known euphemistically as "political pragmatists." The wretched fate their impulses produce in the world--whether in international relations, national policy, or personal affairs--is the only consequence of the successful realization of their irrational, greedy impulses for heteronomically motivated advantage.

The principle of, "Eating ones children" is the principle of the Energy Vampire, the Psychopath Sociopath.

Vampires do not create anything because they do not have a Soul. In Hebrew such a person without a Soul, is called a Golem, like Gollum of the, "Lord of the Rings". They simply eat everything created by others.

In this type of infernal society, we use the vampire principle to eat, vampirise everything else.

1. The principle of Usury where incredible rates of interest (Anything greater than 1% per year) pass on to privately owned banks and bankers to eat all the young shoots of growth.

2. The Ponzi Scheme or consciously created Market Bubbles which have been a constant theme of robbers since Ancient Babylon and Rome, where people are persuaded to invest in, "Sure things" which then fail. The robbers always know when to get out and thus, "Sell High", and then can, "Buy Cheap", when the market has crashes. Recent examples of eating ones children are..

a). The Savings and Loans Swindle.

b). Then Enron which failed and the Company was eaten and its Pension Scheme - like all Pension Schemes, made to be eaten - was eaten.

c). Then the Housing Bubble and its securitization where people were cozened in to buying a house with cheap interest rates creating incredible bonuses for the mortgage sellers, which interest rates then went higher so they could no longer pay the mortgage. The mortgages were securitized and sold on to create incredible bonuses for the bankers, then after the crash the worthless toxic assets were bought by the government with your taxes. The foreclosed houses were then bought cheap by people who had sold high.

3. The Principle of Tax whereby the entrenched Vampire Oligarchy creates its Vampire Bureaucracy, Slave Population and Psychopathic Army.

This vampire principle of the First Canto - Inferno - must be rejected, negated, as a whole.

The correct policy of Survival and Correct Evolution of the Human Race in a World of Richness and Plenty demands it!!

The Creation of Golden Souls through Energy Enhancement Advanced Evolutionary Techniques Based upon Ancient Methods from all the World's Evolutionary Paths is a method of World Evolution, Human Survival, Path Completion - and it Works - Just Read our Course Reports!!

That discovery is embodied in the first canto of the next section, "Purgatory." With this higher ordering principle, that of greed, of sensual appetites informed by logical forms of knowledge, by discipline, one proceeds to a second dead end, "Earthly Paradise." or Existentialism. This is neither hell nor is it the end humanity requires, Purgatory's ordering principle is superseded through a turn to the first canto of the final section, "Paradise." The achievement of the "Empyreal" through that ordering-principle brings us to the desired condition of human existence, the agreement of thought and practice with the higher ordering-principle which is demonstrated by the overall course of progress from infantile sensuality to reason. The fact that the conception coincides with that higher ordering-principle demonstrates sufficient reason, that we have reached the proper condition of human willful governance of human conduct.

The Commedia thus presents itself to the knowledgeable reader as a perfect Platonic dialogue.

The same principles are brilliantly realized in another of the greatest works of literary composition, the Don Quixote of Miguel Cervantes. The subject of the book is the effort to develop Sancho Panza, a bestial peasant predominantly occupied with stuffing his fat paunch (Panza), to the point that Sancho is qualified to govern a province, or, the same thing, an island. Or, how to bring the Spanish people out of rural imbecility in moral outlook, so that those people might become qualified to govern themselves. This book is organized on three levels: Don Quixote the character, the Moor who is the fictionally attributed author, and Cervantes himself.

Beethoven's sole opera, Fidelio, is organized conceptually according to the same Platonic-dialogue principles. More important, the entire development of the well-tempered system of counterpoint in music, identified by John Bull, Sweelinck, Bach, Mozart, and Beethoven (notably), has its origins in Plato's musical faction, and was mediated into Europe through al-Farabi.

Thus, today, in many branches of art we are confronted with worthless productions called "art," whose attributed value depends upon ignorant, misplaced plausible explanations for the actual artistic productions of some earlier period.

First, that there are only three rigorously distinguishable moral types of individual personality and culture, corresponding to the "Inferno," "Purgatory," and "Paradise" of Dante Alighieri's Commedia.

Second, that these three moral types correspond to the primary combinations possible of two, opposing principles - Republican versus Oligarchical.

The latter two, opposing principles are implicitly the divine spark of creative-mental potential within each human individual, opposed to the bestial impulse ["original sin"] of irrationalistic hedonism ["anarchism," "existentialism"] also embedded in that same individual. Most notably, these three types are discussed under the heading of "Phoenician myths," by Socrates, in Plato's Republic. The same matter is treated by St. Augustine.

In the instance of the maturation of the individual within the setting of a moral form of society or culture, loving instruction of the anarchistic infant by the parents and others, nurtures the divine spark within the infant and child. By loving always only that in the infant and child which corresponds to the development and exercise of the divine spark, the new individual is encouraged to adopt the identity of a lovable personality accordingly. Maturation acquires thus the form of the new individual's inner struggle between the growing power of the divine spark and the opposing, bestial, impulses of anarchistic hedonism. Adam Smith's "Invisible Hand," and Jeremy Bentham's hedonistic principle of his and John Stuart Mill's felicitous calculus (utilitarianism), are examples of advocacy of immorality.

While Adam Smith's work itself, was a fraud from top to bottom, Smith was, therefore, only perversely "sincere" in his presenting that specific kind of delusion shared among such among his dupes as both an Adam Smith fanatic Karl Marx and our own Wall Street ideologues today. That is to emphasize, what Smith himself wrote in a crucial passage of his 1759 Theory of Moral Sentiments.

To wit, we have the following passage:

... Hunger, thirst, the passion which unites the two sexes, the love of pleasure, and the dread of pain, prompt us to apply [these desires] for their own sakes, and without any consideration of their tendency to those beneficent ends which the great Director of nature intended to produce by them.

Adam Smith, thus, presents us with what is, in fact, the widely accepted, but wickedly incompetent conception of "money," a folly which has been prevalent throughout the world affairs up to this present time.

The popular desire for money as such, or the equivalent, has been, thus, the kind of passion which attaches the typically suggestible, economics-ignorant devotees of Wall and Threadneedle Streets to the delusion that either the means called "money," or a notion of the kindred power to purchase and to consume, is the measure of the political system of values by which a nation, or nations, might be ruled presently. Hence, as history demonstrates: with most people, most of the time, the result is, that their tendency is, in effect, to impair the quality of judgment which might have otherwise made them fit to rule themselves.

The combined effects of the works of science and related statecraft of Brunelleschi and of Nicholas of Cusa, expressed the inclusion of principles of organization in statecraft which had never existed within post-Plato European civilization earlier. The effect of the revolutionary change expressed, chiefly, by the impact of the work of Cusa, produced a specific kind of effect which is best symptomized by the innovations in military and related statecraft featured in the writings of the follower of Cusa's follower Leonardo da Vinci, and the participant in the defense of the sovereign republic of Florence, Niccolo Machiavelli. This revolution in statecraft which found its concentrated expression in the work of Machiavelli, stood as a great strategic rock against which the reactionary forces of the Habsburg tyranny had wrecked themselves in the course of the storms of religious warfare of the persistently recurring, 1492-1648 orgy of religious and related warfare.

The results of this had included the catastrophic failure of the Council of Trent. That failure, which was, in effect, chiefly the failure of the older ("Aristotelean") party of imperial Venice. a failure expressed as the practical political-strategic outcome of the Council of Trent. This was the failure which cleared the pathway for the rise of the new design of Satanic forces from within that oligarchical party of Venice then led by Paolo Sarpi.

The popular name for that evil, New Venetian Party, still today, is the Anglo-Dutch variety of Liberalism presently typified by the British empire of today, that currently under the typical guise of the Queen's banker Lord Jacob Rothschild, et al., as typified by the implicitly bankrupt, presently hyper-inflated Inter-Alpha Group which controls 70% of the World's Banks as a method of Imperial Control of all Currencies, Countries and Nations in the World.

There are, of course, original features in the development of that British Empire and its Oligarchical supporting families in every country of the World of today, but, at the same time, that British Empire is only a new variant from the same families who ruled in Sodom and Gomorrah, Babylon and Slave founded Corruption that was Rome among a series of imperialisms defined as a product of the same system of a maritime cultural form of originally Delphic, Mediterranean-centered imperialism which emerged from the ruin of ancient Greece in the Peloponnesian War.

With the birth of what became the British Empire, as through the course of the British East India Company's triumph through its organization of the leading nations of continental Europe into a "Seven Years War," every effort to free the peoples of Europe from that recurring continuation of the British Empire, has failed until now, despite what proved to be the temporary defeat of the British Empire by President Franklin D. Roosevelt's United States.

Roosevelt's successor, Churchill-steered and Wall Street-controlled President Harry S Truman, like Andrew Jackson earlier, betrayed the United States to the cause of British imperialism and its Oiligarchic Supporting families. The British empire made concessions to the American principle for the purpose of retaining its power during difficult times, but, since the successful assassination of the obstacle to British imperial power known as President John F. Kennedy, the British Empire has, in fact, dominated the world as a true imperial power from about February 1968 until the present date.

Only poor dupes, on the way to becoming slaves, believe in the mere fiction of a "U.S. imperialism" today. The prior site of a Slave market, "Wall Street," is the only evidence which might be claimed as evidence of a "U.S. imperialism," was never, since 1763, other than a British imperial parasite and their supporting American Oiligarchy sucking the juices of Manhattan, as also many other locations from around this planet, all on British imperialism's behalf. Usually, those who argue that the U.S.A. is imperialist, turn out, on closer scrutiny to be branches of Threadneedle Street themselves, or, simply dupes of the tradition of the Karl Marx who had worshipped Adam Smith almost as a pagan god. Imperial Britain now controls 70% of all the Banks in the World as a method of Imperial Control of all the Currencies, Countries and Nations of the World.

The Empire, Slavery & the Mind
The victors among the warring tribes of Africa often sold the selected, surviving portion of their defeated rivals into slavery. The surviving portion of the modern victims of this Africa practice's captives was transported, on the initiative of the victors in those internal wars of Africa, to the coasts of Africa, where the captives were sold to such as the Spanish, Portuguese, Dutch and British traffic in slaves, an enslavement which had begun with the delivery to port-areas of those Africans who had been enslaved by other Africans, and then delivered to the coastal ports founded by European slave-traffickers, ports whence the surviving assortment of captives was transported, still as slaves, to such destinations as the Atlantic coasts of the Americas - typically the Slave Market of, "Wall Street".

Thus, the fact that the enslaved victims of this process had been brought into slavery to the Anglo-Dutch, Spanish, and Portuguese by Africans, does not diminish the degree of criminality of those Habsburg and related oligarchical interests who shipped the victims to a condition of enslavement in the Americas, much of this being done for the profit of the Anglo-Dutch, British Empire which controlled this Atlantic trafficking in slaves which had been conducted by the lesser oligarchs of Britain's system of imperial reign over the Nineteenth Century Spanish and Portuguese monarchies.

It should not be seen as our purpose here to account for much more than the following essential fact of that matter of the origins of the slavery within North America prior to President Lincoln's victory.

The growing Americas market in such trans-Atlantic traffic in African slaves, was prompted largely by the fact that the indigenous tribes of the Americas were usually ill-suited for use as a slave-class in the Americas. The significance of the African slave was that he had been a product of the dynamics of a systemic form of customary practice of the violence of enslavement within relevant parts of Africa itself.

This was the influence under which African slaves temporarily adapted to submission to slavery in an Americas where the African had no roots, where the indigenous American tribes, such as the case of the literate culture of the pre-Andrew Jackson, Cherokee nation, were not as well suited for a system of slavery, much better suited for genocide.

The process of the subsequent liberation of the slaves in our U.S.A., the liberation from the British empire's authority over the continuing Spanish and Portuguese traffic into slavery within our republic, was, therefore, shaped largely by a powerful lurch toward personal freedom within our own republic itself, a struggle of various sorts, but one rooted in the emergence of the American cultural climate of intellectual freeing of the former slave.

It was the slave's desire for children of marriage, combined with the indispensable role of President Abraham Lincoln's dedication to a victorious war against Lord Palmerston's British imperialism for defense of the U.S. republic, which secured the indispensable freeing of the slaves in the only way it could have occurred, as Frederick Douglass understood, violently, that by the action of our Federal Republic against the British system of trans-Atlantic slavery.

Then the Opium Wars of 1850 in China where Imperial Britain forced the, "Free Trade" of selling Opium from Imperial India to the Chinese Nation over the wishes of the Chinese Emperor. Britain won the War, won Hong Kong (Using the Hong Kong and Shanghai Bank - HSBC - for drug receipts) for 200 years and won the right to keep on selling Opium to China.

The principle which I have invoked in presenting this example from the history of mankind's effort for freedom from enslavement of man by man, is to be found on a still deeper level, in the principle named Psychic Charge, or dynamics (e.g., dynamis) by Gottfried Leibniz, or what is the same principle of dynamics illustrated in the concluding summary in Percy Bysshe Shelley's A Defence of Poetry.

This return to the subject of dynamics now brings our attention back to our principal subject in this report, the distinction of the higher functions of the human mind from the undeniably indispensable, but qualitatively inferior functions of the human brain.

This is accomplished most effectively by avoiding what Riesman et al. might prefer to describe as merely an "other-directed" shaping of the social-identity preferences of the new individual; the child must not "be good" merely because this prompts favorable responses by parents and others. The child must discover that the good aspect of his or her nature is also an efficient power in the universe, the power of creative discovery. Of this, the child might say: "I can prove it for myself," or express the same point of view in asking the question "why, Daddy?"

If Daddy replies to the child's "Why?," with the irrationalist's: "Because your mother told you to do it," the child is being degraded thus into a cultural outlook of the "irrationalist-noun" variety. Better reply by Daddy would be either, "Come, I'll try to show you why," or, if the matter is beyond the child's reach, "When you're a little older, you'll be able to work this out for yourself." If a child, asked what the child wishes to become in adulthood, replies, "I'm going to be...." ask that child "Why?" lithe child replies, in effect: "Then I'll be able to...," the implicit morality of the child's argument informs us of the probable direction of moral development occurring in that young person. If a child locates a sense of moral identity in the development of efficient powers of discovery, the processes of moral development are to that degree predominant, to that degree mastering the contrary, hedonistic impulses.

The same principles of development are also characteristic of cultures.

Purgatorial Immanual Kant reacted strongly against the immorality of David Hume. See I. Kant's Prolegomenon . . . , and also his preface to the first edition of his Critique of Pure Reason.

What Kant denounced, with as much vehemence as Kant's public practice permitted him, was the immorality of that thesis of Philosophy which is the basis of all Economics, all Politics, as taught in all Universities and used in the parliaments of every country in the World.

A Murderous Philosophy of the Inferno which forms the central principle of Hume, of Adam Smith, of Jeremy Bentham, and "nineteenth-century British philosophical radicalism." Hume, Smith, et al. argued that the imperfection of man's reason prevented the individual, or society, from pre-calculating the consequences of choices of behavior among the individual members of society, or by society as a whole. [Hence, Kant's charge of "philosophical indifferentism" against Hume.]

This argument was employed by Hume, Smith, et al. Adam Smith was a protege of David Hume, and most directly influenced by Hume 's Treatise of Human Nature, the chief reference-point for Smith's own 1759 Theory of the Moral Sentiments. The doctrine of the Invisible Hand (Which so Goosed the World in the latest Ponzi Scheme Housing Bubble of many Bubbles over the past few thousand years) is derived directly from the cited line of argument, in the Wealth of Nations...

To propose that individual actions should be governed solely by "original and immediate instincts. . . of love of pleasure, and of dread of pain." - Adam Smith, Theory of the Moral Sentiments - is immoral and at worst, Satanic - created to control a population of Psychopaths, from the Inferno.

And the Banking Monetary System and Casino Slave Market Wall Street Economics of the Cayman Hedge Funds of the West is based upon this type of Philosophy - the Philosophy of the Satanic Inferno.

And this World as it is, is the result..

As far as it went purgatorial Kant's extensive rebuttal, against this satanic empiricist morality from the Inferno, was sound. The fallacies otherwise embedded in Kant's argument, already concomitants of the earlier Critiques, showed themselves at their worst in Kant's Critique of Judgment and his commentaries on aesthetics generally.

It was on the latter point that Kant was most directly and efficiently corrected by the Friedrich Schiller Kant otherwise admired so much. Kant's essential argument on morality was presented in relatively most compact form in his Critique of Practical Reason.

Summarily, Kant argued that the Law, the "repression" of prohibited kinds of impulses and acts by society negated those hedonistic impulses within the individual. This is the equivalent of the Old Testament Laws of Moses:- Ten Commandments graven in stone, and taken down from the mountain.

However, this "repression" was not merely a negation. Since this negation made the individual a social person, the negation corresponded to the individual's vital self-interest in establishing and maintaining a social identity. The desire for this social identity negated the negativity of "repression" [negation of the negation]; in this way, morality was described as made positive [by such "negation of the negation"]. The Glass-Steagal separation of banking and speculation - "The Law" and not, the "Self Regulation" of the Inferno - comes from this type of Philosophy.

Paradisian Schiller corrected Kant on this point, showing that effective productions of the creative-mental potentials of the individual are a directly knowable form of the Good, and that, hence, morality need not be premised merely on the kind of double-negativity which Kant prescribed. Apart from this specific correction of Kant's views on aesthetics, the entirety of Schiller's later productions of drama are based on the principle he cited against Kant's error. This is the philosophy of the New testament of Jesus Christ, not based on Moses Laws graven in stone but only on Love. The free will, only to do the right thing!

The inferno is Oligarchy which exists in each country - for example, The British Secret Service - under "M" - who was Jeremy Bentham at the time and his Boss, Prime Minister of Britain and Head of the Slavery and Drugs East India Company, Lord Shelburne, who Created the French Revolution and Jacobin Terror in Paris. Who created Napoleon to, like the 30 Years War and the Seven Years War before him, destroy the competing economies of Europe, - Russia of Count de Witt, France of Lazarre Carnot and Germany of Leibniz, Schiller, Humbolt, Gauss, Reimann, Mozart and Beethoven; which resulted in the consolidation of the British Empire over the world at large.

Lord Shelburne like all Agents of Influence of the Secret Services of the Babylonian and Roman Oligarchies, for Thousands of years, also fostered as well as Bentham who when he died, like any Black Magician, mummified himself and placed his mummified body in his favourite bar in London, in a glass case with his severed head placed under his arm, also fostered and paid the philosophers, Hume, Adam Smith, Darwin and Malthus - all spoor of the pit, all created in the inferno. Yet modern Economic, Monetarism and Political Philosophy is based upon these creatures. Thus the result..

Other Agents of Influence..

Aristotle of the Babylonian Secret Service, who poisoned Alexander the Great who was influenced by Plato and who destroyed Babylon.

Then Abbe Conte and Paolo Sarpi of the New Babylon Oligarchic Venetian (Phoenician) Secret Service who arranged for puppet William of Orange to take over London, the new Babylon, in 1732. The Philosophy of Hume, Bentham, Adam Smith, John Stuart Mill, Malthus, Darwin and Reductionist Lord Bertrand Russell and his provenly false - by Goedel - Principia Mathematica written together with Whitehead, is based upon the work of Aristotle and Sarpi whose aim was to dumb down science, put out the fire and thus create human poverty and thus Oligarchic Control.

Human Beings are creatures of Fire.

Man is the only animal who consciously uses Fire. And it is Fire which has led to all human progress, Economic and Spiritual.

The Bronze Age and Iron Ages were all based of increasing temperatures of Fire of the Crucible of the Alembic.

The increase of Flux Density of Nuclear and Fusion Fire is needed to drive the modern Rich Economies of a future World of plenty - as a platform of Production. To start, incredibly efficient Fourth Generation nuclear reactors can burn safely for a Billion years with the fuel already mined to give almost free electricity. To desalinate sea water to make all deserts bloom. To concentrate rich commodities from poorer ore. To stop the scare city of petroleum created by the Oiligarchy and thus the necessity of War.

Spiritual Alchemy is based upon the Myth of Aeschylus' "Prometheus Bound" where Oligarchical Zeus bans Fire from nascent Humanity - so as to stop his progress. So as to stop his Evolution. So as to stop his Illumination!!

Schiller said famously: "the century has produced a great moment," referring to the trans-Atlantic movement led by Benjamin Franklin, "but," referring to the rise of the Jacobins in France, "the moment has found a little people."

Using his resources as a leading historian of his time, Schiller composed a series of tragedies based on leading problems of statecraft in modern history of nations. Although Schiller employed some dramatic license, to deviate slightly from events as they had actually occurred in terms of individual personalities of the drama, the problems posed in each drama were true-to-life insofar as the tragic events as a whole were concerned.

The function of these dramas, as Schiller himself described in considerable detail in his writings or his methods of composition, was to show to audiences that in the course of critical events the point is reached at which an available solution is clear, but in which influential figures and general populations each fail to act upon that solution; the failure to act so then traps the population in a tragic development which the population is thereafter unable to resist. These immensely popular tragedies of Schiller have been proven to have been the single leading moral influence which later mobilized the German people to fight the successful Liberation War against Napoleon Bonaparte�a war led by such friends of Schiller's as Freiherr vom Stein and Wilhelm von Humboldt.

It is possible, in fact, as well as abstract scientific reflections, to mobilize a leading force of a people to foresee more or less accurately the outcome of the policy-actions of nations, and also the contributions to those actions by individuals.

Although Kant was admitted to the inner elite of the circles around Schiller, Koerner, von Humboldt, et al., it was Schiller, not Kant, who made possible the defeat of Napoleon's tyranny�just as the 1815 Congress of Vienna, and Metterrnich's Prussian agent G.W.F. Hegel, launched an inquisition against the writings of Schiller, as well as against Schiller's friends, in the effort to reverse the republican achievements of 1809-1814 under von Stein, Scharnhorst, Humboldt et al. The efficient power to uplift a people, morally, and in its general condition otherwise, is direct access to and service of the creative-mental principle.

Nonetheless, Kant's thesis of the Critique of Practical Reason is an exceptional insight into the mechanisms of mind as a resident of the second level of morality - Dante's Purgatory. Kant's morality is of a Soul coming from the Inferno towards Purgatory.

He is not a resident of Paradise, not one of Schiller's "Beautiful Souls" as Schillers morality is that of a Soul moving from Purgatory to Paradise.

The resident of Purgatory, like Kant, adheres to morality with a sense of duty, and is always conscious of duty as in some sense an act of self-denial, an act of "repression" of his bestial, irrationalistic [anarchistic, existentialist] "original and immediate instincts."

At worst, the resident of Purgatory is fortunately not a radical empiricist of the sort recommended by Hume, Smith, Bentham or John Stuart Mill, - not a resident of the Satanic Inferno.

Even among the best modern republics, such as our own has been during its best periods, the development of our culture, and the maturation of individuals within that culture, has been defective to the degree that the moral strata of our electorates have been chiefly residents of Purgatory, not Beautiful Souls.

This defect of even moral populations was a subject of special attention by Plato. notably in his Republic. He stipulated that the design of republics must therefore be such as to efficiently deal with such defects of maturation within the electorate generally. He argued, as Solon of Athens had argued the importance of writing out his constitutional poem to guide Athens thereafter, that a people must bind itself to a written body of constitutional law, and practice obedience to that law, rather than relying upon its own independent judgment; hence, in modem times, we speak of our republic as a government under law, rather than as a government by men.

It were desirable that electorates be dominated by Beautiful Souls�residents of Dante's Paradise. Lacking thus far that circumstance, we must compensate for the defects in our own people by choosing republics premised upon constitutional law. For obvious reasons, Plato described this expedient arrangement as "the second-best form of republic."

It should be seen readily enough, that the philosophical outlook of the residents of Paradise is characteristically of the religious-cultural species we identified as "rational-verb," and Inferno's "irrationalist-noun."

It is "human nature" that the moral impulses of the individual and cultures composed of individuals, are not more than two: the irrationalistic, hedonistic impulses which echo the "original and immediate instincts" of a beast, in opposition to the creative-mental potentials. the divine spark which distinguishes man from the beast. Hence, only two generative impulses are possible within individuals and cultures.

The behavior of the individual, under the conflicting influence of such two impulses, is always governed by what rigorous clinical psychology can distinguish in each instance as a controlling sense of personal social identity.

Individual judgments are not premised on the individual's sense of biological identity, but of social identity subsuming biological identity. This choice of social identity regulates the person's definition of "self-interest." This sense of identity, and notion of self-interest, is defined primarily by which of the three types of moral identity (Inferno, Purgatory, Paradise) the individual has adopted. That is, the individual identifies either:

(I) Completely with irrationalist hedonism ("original and immediate instincts"),

(2) completely with a "Kantian" sense of social identity (Purgatory), or

(3) creative-mental life of the Higher Hypothesis, chakras higher than the mind, above the head (Paradise).

That choice of identity defines perceived self-interest. This sense of self-interest directs the exercise of judgment. Judgment so directed determines human activity, and also determines how the individual judges the results of his activity.

The first, the choice of the Inferno as the location in which one's identity (and self-interest) resides, is dominated by subordination of rationality to "original and immediate instincts," as Dante describes this so aptly.

The second, the Kantian, might appear, at first glance, to have a dual identity, a conflict between morality and "original and immediate instincts," Yet, as Kant argues correctly to that degree, the resident of Purgatory locates his or her identity in the moral "sense of duty" to prohibit those actions of "original and immediate instincts" which are prohibited by the morality.

The third, Paradise, prompts the individual to locate his or her identity, and self-interest, in that policy of self-development and practice which fosters predictably some durable benefit to present and future generations.

It might appear, to superficial observation, that the resident of Paradise and Purgatory eat and clothe themselves in similar manner.

Yet, the resident of Paradise views these matters quite differently than does the Kantian. "I require that which affords me the power to contribute to present and future generations": for the Kantian, the end-result of the morally permitted form of sensuous individual experience is the individual pleasure or other individual benefit of the individual in himself.

For the resident of Paradise, the individual benefit of such sensuous experience is limited to its universal consequences, the contribution of that individual sensuous experience to the individual's power to accomplish some necessary good for present and future generations.

The sense of self-interest embodied in the individual action is different. Such a distinction may appear almost indiscernible in an isolated action of this sort; it becomes clearly discernible when we compare the general policies of ordering of personal life between Beautiful Souls and Kantians.

The Beautiful Soul subordinates what might be defined as a Kantian sort of self-interest to a higher purpose, a universal purpose. Imagine Friedrich Schiller eating and drinking his favorite wine during the periods his life was dedicated to fashioning tragedies intended to uplift the German people to a state they would not repeat those errors of France through which the Jacobins came to power; that is the eating and drinking of a Beautiful Soul.

Only two kinds of opposing impulses exist within individual persons; the bestial impulses of irrationalist "original and immediate instincts," opposing the sense of beauty in efficiently developing and exercising creative-mental potentials in service of universal good. These two, opposing impulses permit only three categorical kinds of personal identity to occur within individuals and cultures. We witness only two opposing forces in the making of all human history and pre-history, and we witness only three categorical cultural types emerging in this sweep of human existence as a whole. We witness such because nothing else were possible.

Clearly, the following table of comparisons from Dante Alighieri's Commedia follows:

Identity Cultural Matrix Religion

Inferno irrationalist-noun SHAKTI-ISHTAR - SATANIC ORGIES - OLIGARCHISM

Purgatory rational-noun GOD IS KING - THE LAW - REPUBLICANISM

Paradise rational-verb APOSTOLIC CHRISTIANITY - ILLUMINATION/ENLIGHTENMENT - THE FREE WILL, ONLY TO DO THE RIGHT THING

This summary table is adequate to guide us in interpreting those characteristics of cultures bearing upon the potential of those cultures to foster and assimilate fundamental scientific discovery which speeds up the richness and wealth of that society.

The ascent from baboon-like gathering-cultures toward civilization is implicitly inevitable, since the divine spark of creative-mental potential is that which absolutely, categorically distinguishes mankind from baboons. It were worse than absurd to attempt to adduce the "evolutionary development" of human characteristics from the great apes, as if by aid of Boltzmann's LaPlaceian theory of fluctuations. Human development depends upon a quality categorically absent from the great apes, some feature of the human organization corresponding to the human soul, congruent with the verb "to think creatively." and Psychic Charge!!

This is the characteristic of human cultures, which distinguishes "human ecology" absolutely, categorically from "animal ecology." To attempt to apply like Darwin or Malthus, "animal ecology" to mankind is an absurdity in principle, as absurd as applying the "ecology" of "societies of rocks" to the biosphere or noosphere.

The possibility of Paradise/Illumination is implicit in the human soul; that is not only a theological doctrine, but the one empirical fact about human existence which is absolutely incontestable, man's increase of his species' potential relative population-density through technological progress.

On the path of Illumination we have the development of the neoplatonic outlook focussed in the analysis of Plotinus in direct connection with Plato's Timeus. The consubstantiality of the divine and man in Christ is defined as the unity of the necessary being with mortal (ephemeral) man brought to maturity of perfection.

The consubstantiality of the Trinity was the unity of the necessary being, the higher hypothesis and the perfected particular man - in the Antahkarana.

Through the addition of the energy of the Logos, a higher chakra above the head, human beings become educated in the conception of Plato from egotistical- infantile-sensual lovers of satanic orgies of Hume, Mills and Bentham (Platos Bronze souls - Dantes Inferno) to sensual infantilism educated to logical rationality, Kantian understanding (Platos Silver Souls - Dantes Purgatory) and the actually mature human beings of Reason, using the Higher Hypothesis of Schillers Pure reason - connected to the Intuition of the Logos, (Platos Golden Souls - Dantes Paradise) - Illuminated/Enlightened - Energy Enhancement.

And when you see such a person, you say, "I suppose you think you're really good don't you"?" if you are a demon monkey!! - see the Story of the Monkey in my Commentary on the Yoga Sutras of Patanjali.

Jean-Baptiste Grenouille, a psychopath, an Energy Vampire born of the Pit, of the Inferno, without a Soul, born with a superior olfactory sense, creates the world's finest perfume. His work, however, takes a dark turn as he searches for the ultimate scent.

It's a funny old movie which inculcates one into the Heart of Darkness

Grenouille means Frog which is appropriate - Ugly and French.

This guy is a mass murderer, but why does he do it?

Well, in this movie, scent or perfume symbolises the energy of the Soul which is pure Love.

Poor Grenouille has a horrible life devoid of love.

More, with his super power nostrils he knows that he has no scent, no Soul, no Love.

He knows he is a psychopath!!

He has no empathy. He has no conscience.

With his super power nostrils he decides that he needs to gain a Soul.

He tries to do it by developing the Ultimate Perfume, stealing the Soul Energy scent from others - to become an Energy vampire - a practise doomed to failure.

He should have practised Energy Enhancement instead!!

First he becomes the perfect perfumier developing fantastic perfumes for Dustin Hoffman.

Dustin Hoffman the Perfumier employs Grenouille to mix his perfumes.

Grenuoille mixes many perfect perfumes for Hoffman.

But this becomes obsolete when he smells the perfect scent in a virginal woman

Because he has no Soul and is a psychopath, Grenouille thinks nothing of killing to attain energy - vampirisation.

To make the perfect scent he has to kill twelve young ladies and mix together their Soul essences.

Alan Rickman tries to save his daughter from Grenouille

Without success!! - The perfect scent!!

Success!! he mixes the essences of twelve young ladies together but is found and captured by the police.

Grenouille is an Energy Vampire who has killed to get their Soul energy.

He has stolen the Souls of twelve beautiful young ladies and put them in a bottle.

Tried, he is sentenced to death on the scaffold in the town square.

Grenouille on the scaffold, throws his Kerchief into the crowd

On the scaffold he takes one drop of his perfume and puts it on a handkerchief. Another behind his ears.

As the Soul Energy scent wafts through the air to all the people present, they see him as Jesus Christ.

Even Alan Rickman, whose daughter he has murdered kneels at his feet and weeps tears of joy in the presence.

As the Love Energy of the Soul mix affects everyone present, they all get together in an orgy.

Lords and ladies. Priest and Whore all get it together on the ground.

When they wake the next morning they are ashamed and slink away.

Grenouille is gone!!

Yet Grenouille now knows that this energy he has stolen, Vampirised, is not his.

He knows he has no Soul connection of his own and that the search for his Soul is the search for illumination.

Real Energy Vampires call other human beings their cattle, the Geese who lay the Golden Egg, whose energy they eat in order to live, having no energy connection with God from whom to take energy like normal human beings.

In order to maintain their power for thousands of years they need to distract and pervert humanity through bad education, food, poverty, low science, low economy and continuous War.

It says in the movie that he knows he could use this perfume to seduce Kings, live in palaces, obtain millions of money.

Yet Grenouille knows that what he has is NOTHING!

Without a Soul. Without that Ultimate perfume of his own Soul, life is nor worth living.

"To gain all the World but lose his Soul" - Many people - ALL ENERGY VAMPIRES - are very content with this, yet not Grenouille!!

In this, Grenouille is not normal!

He goes to Paris, and in the marketplace, the place he was born, he stands and pours all the Soul Love Essence perfume over his head.

Like Count Ungolino of the Divine Comedy's Inferno, eating his children.

Like the Holy Host - the Seed Soul Energy of Jesus Christ - consumed by the people in the Mass, Grenouille is eaten by all the crowd.

Nothing remains.

He is Gone!!

ENERGY ENHANCEMENT PSYCHOPATH DIRECTORY

GO TO THE PSYCHOPATH DIRECTORY FOR THE EFFECTS OF ENERGY BLOCKAGES IMPLANTED IN RITUALS DURING SOME OF YOUR PAST LIFETIMES - IN THE HEART - REMOVING EMPATHY AND ABOVE THE HEAD, REMOVING CONSCIENCE IN ORDER TO CREATE PEOPLE WITHOUT MORALS, "MORAL IDIOTS" BUT SOMETIMES WITH HIGH IQS.

LIKE HERE BELOW..

THE INTERNATIONAL

Director: Tom Tykwer- Yes! same as Perfume above.

"WHY DIDN'T THEY TELL US THIS AT SCHOOL DADDY?

I GUESS IT'S BECAUSE THEY JUST DIDN'T WANT TO SCARE US"

- SCRIPT OF HORROR MOVIE

It is interesting that the first scene of the movie starts with an Interpol Police agent friend of Clive's dying from a heart attack. This myocardial infarction is later proven to be caused by a poison dart.

Recently, the 27th October 2010, President Kirchener of Argentina served by his own personal doctor, who stood up to the IMF banking system after 2003 to save Argentina from ruin because of its National debt, sadly died from a heart attack at the age of 60 years.

In The International, Interpol Agent Louis Salinger - Clive Owen - and Manhattan Assistant District Attorney Eleanor Whitman - Naomi Watts - are determined to bring to justice one of the world's most powerful banks - like the International Bank of Credit and Commerce - run by Elite people who feast on human suffering.

Uncovering illegal activities including money laundering, arms trading, and the destabilization of governments by rent-a-terrorists who later become indebted Presidents of the country, Salinger and Whitman's investigation takes them from Berlin to Milan to New York and to Istanbul.

Finding themselves in a high-stakes chase across the globe, their relentless tenacity puts their own lives at risk as the bank will stop at nothing - even murder - to continue financing Armaments and Terrorists to put their men in charge of Governments, to Control Governments and thus their people through IMF National Debt and personal debt, Assassination and War.

This movie, shows how society and its Police Forces, District Attorneys, and Politics protects its own so that it is impossible to bring the Elite to justice.

Like Peter Jackson's, "The Lovely Bones", it also shows that it is not necessary for one person to bring anyone to justice. Justice is not the province of one man. There are better things to do with one's life.

Universal Karma - will take care of it all by itself as in this movie the Elite's families battle it out by themselves, army to army, country to country, and anyone who gets in their way is assassinated.

As Zen Master Hogen says, "Don't get caught!" by stupid ideas and thoughtforms.

Clive tells a the two sons of an Italian Mafia family that their father, the President of Italy, was assassinated by the bank.

They send their Mafia hit man to assassinate all in the bank involved in his murder.

Thus karma and justice are served!!

The Bank's President and it's head Lawyer are assassinated, but the vice President of the bank takes over the bank and the bank continues its corrupt and evil way.

As the president of the bank says to Clive Owen before being shot by the Mafia, "You only want to kill me because of your own Blood Lust. Killing me will serve no useful purpose. There are thousands of bankers just like me who will take over my job in an instant!"

Clive Owen, who refused the assassin role of James Bond, was created to do movies like this as his energy, again, propels the story and the script.

Like Keanu Reaves in Francis Ford Coppola's Dracula, the Matrix and Constantine, he is a spiritual actor.

CLICK HERE FOR - ENERGY ENHANCEMENT MOVIE REVIEWS BY SATCHIDANAND
APOCALYPSE NOW	King Kong	*AMERICAN BEAUTY*	*SPIDERMAN THREE AND NEGATIVE KARMIC MASS - VENOM!!*	*THE DAN BROWN DA VINCI CODE, THE HOLY GRAIL, THE CHRIST ENERGY, THE MEROVINGIANS AND SEXUAL RITUALS*
CAMPBELL'S AVATAR MOVIE - BODYJUMPING, METEMPSYCHOSIS in Movies and Yoga	Existentialism and Kubrick's Psychopaths, Society and Human Nature in the Films, Movies of Stanley Kubrick	WATCHMEN MOVIE	THE DARK KNIGHT	Energy Enhancement and the Lord of the Rings. More on the Lord of the Ring and Energy Blockages
ENERGY ENHANCEMENT ENERGY CONNECTIONS, IMPLANT BLOCKAGES AND THE MATRIX	The Matrix And Antahkarana Hyperdimensional Predatory Energy Blockage Forces	"Blade Runner" by Ridley Scott	I ROBOT ENLIGHTENMENT AND ILLUMINATION Isaac Asimov and Alex Proyas Movie Review, Analysis of I Robot	George Lucas, Star Wars, the Revenge of the Sith
"JUMPER" BY DOUG LIMAN	EXCALIBUR BY JOHN BOORMAN	REVOLVER "first version" BY GUY RITCHIE	THE LORD OF THE RINGS PART TWO - THE TWO TOWERS	BEING JOHN MALKOVICH
THE LOVELY BONES DIRECTED BY PETER JACKSON	THE INTERNATIONAL Director: Tom Tykwer	PERFUME - THE STORY OF A MURDERER Director: Tom Tykwer	INSIDE MAN	INGLORIOUS BASTERDS
AVATAR: THE LAST AIRBENDER

WITH ENERGY ENHANCEMENT-

THE THREE EVOLUTIONARY TYPES IN DANTE'S DIVINE COMEDY -

GRENOUILLE THE VAMPIRE AS INHABITANT OF DANTE'S INFERNO - PLATO'S BRONZE SOULS, WITH A DISCUSSION OF DANTES PURGATORY - PLATO'S SILVER SOULS, AND DANTES PARADISE - PLATOS GOLDEN SOULS - THE ILLUMINATED, THE ENLIGHTENED - ENERGY ENHANCEMENT!!

Here we are concerned not only with the amount of Energy, but also with the quality, the height of the vibration of the energy which alone determines the height of our Evolution.

THE THREE EVOLUTIONARY TYPES IN DANTES DIVINE COMEDY -

GRENOUILLE THE VAMPIRE AS INHABITANT OF DANTES INFERNO - PLATO'S BRONZE SOULS, WITH A DISCUSSION OF DANTES PURGATORY - PLATO'S SILVER SOULS, AND DANTES PARADISE - PLATOS GOLDEN SOULS - THE ILLUMINATED, THE ENLIGHTENED - ENERGY ENHANCEMENT!!

INGLORIOUS BASTERDS, INSIDE MAN, THE INTERNATIONAL, THE SIXTH SENSE, THE LOVELY BONES AND PERFUME, THE STORY OF A MURDERER

CLICK HERE FOR - ENERGY ENHANCEMENT MOVIE REVIEWS BY SATCHIDANAND

THE THREE EVOLUTIONARY TYPES IN DANTES DIVINE COMEDY -

GRENOUILLE THE VAMPIRE AS INHABITANT OF DANTES INFERNO - PLATO'S BRONZE SOULS, WITH A DISCUSSION OF DANTES PURGATORY - PLATO'S SILVER SOULS, AND DANTES PARADISE - PLATOS GOLDEN SOULS - THE ILLUMINATED, THE ENLIGHTENED - ENERGY ENHANCEMENT!!

That spark is the crucial thing...

MAN IS A LIVING SPARK OF GOD - IT IS THAT AND ONLY THAT WHICH PREVENTS THE CONCEPT OF SLAVERY AND GENOCIDE FOR THE HUMAN HERD

Image of God, "Imago Dei" and Energy Blockages

THE PURPOSE AND THE PSYCHOPATHIC PERVERSION OF THE PURPOSE - THE CAUSE OF ALL EVIL IN THE WORLD!!

Image of God, "Imago Dei" and Energy Blockages

Nicholas of Cusa, St. Augustine, St. Thomas Aquinas, and the Concept of Natural Law -Imago Dei or Image of God - and the concept of Energy Blockage Talents

REMBRANDT - ILLUMINATED SAINT

Confucianism and "Imago Viva Dei" in China - Liebniz, Mencius, Chu Hsi, Christ, Taoism, Buddhism

See this also - OLIGARCHIES-POLICIES-FROM-THE-TIME-OF-BABYLON-AND-THEIR-HISTORICAL-TECHNIQUES-TO-ENSLAVE-THE-WORLD

PSYCHIC CHARGE AND GENIUS - ENERGY DYNAMICS AND CREATIVITY IN THE WORK OF LIEBNIZ, RIEMANN, AND SHELLEY

AVATAR: THE LAST AIRBENDER

CAMPBELL'S AVATAR MOVIE - BODYJUMPING, METEMPSYCHOSIS in Movies and Yoga

I ROBOT ENLIGHTENMENT AND ILLUMINATION Isaac Asimov and Alex Proyas Movie Review, Analysis of I Robot

AVATAR: THE LAST AIRBENDER

ENERGY ENHANCEMENT LEVEL 5 - IMMORTALITY WITH ENERGY ENHANCEMENT - CREATING THE IMMORTAL VAJRA DIAMOND BODY

THE ANCIENT EFFECTIVE SECRETS OF ENERGY ENHANCEMENT WILL ENABLE YOU TO BECOME MORE ENERGETIC, MORE PEACEFUL, MORE POSITIVE, MORE PURE, MORE SOUL INFUSED IN YOUR ALL YOUR LIFE AND FUTURE LIFETIMES - THE REAL SECRETS OF SUCCESS

"Through many a birth wandered I, seeking the builder of this house.

Sorrowful indeed is birth again and again." - Buddha.

HAVE YOU GOT IT??

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