

Internet Book of Shadows, (Various Authors), [1999], at sacred-texts.com
                             THE PACT (IOT) - The Story So Far 
                                      by Pete Carroll
          In 1976 in an abandoned ammunition dump dug deep into a mountain
          somewhere in the Rhineland, two magicians, one English, one German
          announced the formation of a magical order with the celebration of a
          Mass of Chaos in the company of a couple of dozen other magicians.
          Soon after we emerged from the bowels of the mountain a localized
          tornado hit immediate area. This was but a small portent of things
          to come.
          We left the mountain with no particular idea other than to form an
          Order such as had never existed before, that would break the
          existing mold and provide a vehicle for Chaos Magic. A year later
          some of us met in a splendid Austrian castle and formally arranged
          ourselves into the Magical Pact of the Illuminates of Thanateros,
          using as a basis a simple structure of four grades and five offices
          that I had devised in the meantime. Since then the Pact has evoked a
          veritable whirlwind of activity, and at the time of writing counts
          some sixteen temples in the UK, Germany, Austria, Switzerland,
          Australia and the USA. A meeting for all members is now held
          annually, usually at the same original castle (Burg Lockenhaus,
          Austria, 2.-6.August 1991 followed by an Exercitium open for all).
          It is always a wild experimental gathering during which plenty of
          hard work is being done. In devising a structure I sought mainly to
          avoid the mistakes of previous established orders such as the Golden
          Dawn and the Ordo Templi Orientis. A certain division of labour is
          essential just to ensure that people take responsibility for
          organizing that which needs organizing. Beyond that it seems an
          absurdity to form an order on the basis of one or a few persons
                                           1397
          adopting the role of great guru almighty. Their bluff must
          eventually be called, and such organisations are unlikely to advance
          beyond whatever set of ideas they start with. Crowley had to break
          with the Golden Dawn to make his own contribution to magic, and
          Austin Spare had to break with Crowley in his turn. Such progress
          through schism is an idiotic waste of time and effort. Any
          contemporary order which wishes to remain alive, exciting and
          innovative requires a structure or at least a communication network
          to exist at all, but dogmatic ideas, rigid hierarchies and fixed
          teachings and beliefs will kill its creative spirit rapidly.
          Thus in the Pact, the individual temples, which are its basic unit,
          experiment with whatever techniques, rituals and ideas they please,
          and exchange results and inspirations through newsletters,
          magazines, a computerized electronic mailbox system, inter-temple
          visits and the annual Pact meeting. There is thus a natural
          selection of ideas. Techniques, Spells and Rituals which are found
          to be really useful become used and expanded upon whilst the less
          effective material is forgotten. Those members who enter the Pact
          bubbling over with ideas are encouraged to put them into use
          immediately. Naturally in an organisation such as this there is less
          emphasis on discipline than on enthusiasm and creativity. The Pact is
          more interested in those who can experience magic as a living thing,
          than in those who can merely follow instructions. Indeed the only
          power the Pact reserves over its members is the right of expulsion
          for extreme non-fraternal behaviour or for bringing the Pact into
          danger. The Pact has but two aims. Firstly the pursuit of the Great
          Work of Magic and pleasures and profits attendant to this Quest.
          Secondly to act as a Psychohistoric Force in the Battle for the
          Aeon. To fulfill the first aim we provide communication facilities
          that enable us to work together and develop our own magics through
                                           1398
          the exchange of ideas and information. Esoterics should also be fun.
          If you don`t enjoy doing magic you are probably doing something
          wrong. The profits are entirely whatever rewards individuals can
          make from their own magic. There are no membership fees and the
          annual Pact meeting is free and funded by seminars and exercitiums
          that some members hold for the general public plus any members who
          wish to attend. The somewhat grandiosely phrased Psychohistoric
          action in the Battle for the Aeon, consists mainly in spreading the
          philosophy of magical paradigm where we can, in print and by word of
          mouth, although we occasionally perform acts of magic to hasten
          things along.
          The magical techniques and philosophy of the Pact are mainly Chaoist
          in inspiration. Chaos Magic calls for a concentration of the actual
          mechanics at work when planning acts of evocation, divination,
          enchantment, invocation and illumination. It is techniques and
          intention that are important in successful magic. The most Important
          Techniques are those which adjust subconscious belief. Subconscious
          belief controls both the self or selves and the world. So long as
          this is never forgotten one can structure a ritual or spell with
          just about any form of symbolism from Tibetan Tantra to Icelandic
          Runelore. And indeed, where else but in the Pact could you find
          magicians experimenting with Runic Sex Magic? Well perhaps you will
          find other examples. I notice the eclectic approach becoming ever
          more pervasive in esoterics. Insights and ideas are now poached
          shamelessly from one so-called tradition to another, but this is how
          it should be, and Chaos Magic boldly encourages the meta-tradition
          which takes anything and everything that is effective from all
          traditions to create an explosive mixture.
                                           1399
          So, on with the pursuit of the Great Work of Magic, with whatever
          forms of Techno-Shamanism, Tantric Goetia or Greco-Egyptian Quantum
          Physics we can make work for us. There are worlds within us, and the
          universe is infinitely more weird, I`m sure, than all our theories
          put together. Hopefully, some of the explosives the Pact cooks up
          can propel us a little further into these strange domains. I have no
          idea how this years Pact meeting will unfold, except that there will
          be magicians from many lands seated in a huge circle ready to offer
          their specialities in everything from Buddhist sorcery through Norse
          wyrdcraft and Chaos mathematical investment schemes to Voodoo and
          Ice Magics. We have the technology and we`re crazy enough to use it!
          The Pact may be contacted in the US care of:
          Temple Oblivion, P.O.Box 18514, Encino CA 91416-8514
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                                                                            1402
                                 Blackout and Sigils 
                                   Fra.: Apfelmann
          The blackout or as it is commonly referred to, the death posture, is
     the technique that the late Austin Osman Spare refined for  his own magical
     use  and which has been adopted by chaoists,  solo and group, world wide as
     its  popularity has been increased  by the works  of the IOT  over the last
     decade or so.  
          The  normal procedure, as many will undoubtedly be familiar with, (and
     this is only one  of its uses) is that  a sigil/glyph of desire is  held in
     the mind`s  eye whilst in what we  all refer to as  the death posture e.g.,
     stood on  tiptoe, arms locked behind the head, body stretched to its limit,
     deep spasmodic breathing, until total exhaustion  and inevitably one blacks
     out, the sigil is  then lost to the mind  of the inner and the  banished of
     laughter is evoked to prevent the resurfacing of the said sigil.
          Anyone who has used this technique for the above said purpose, will
     have  at sometime or another experienced, even if just slightly, difficulty
     in holding  the posture long enough  for the desired gnosis  to take effect
     sufficiently  for  blackout. And  due to  this  difficulty, a  well planned
     ritual  can be a  well planned waste of  time as the  desired result is not
     implanted properly.  
          A  technique that  has  been repeatedly  employed  by myself  on  such
     occasions is based upon  the same principles as the death  posture but as I
     have found,  a little easier and  without pitfalls that one  can experience
     with A.O. Spare`s technique.  
          This  technique is  a  strange mixture  of  inhibitory and  excitatory
     gnosis, forced  overbreathing, dancing or  spinning, and of  course exhaus-
     tion.  The end result is of necessity  for this process the blackout, which
     is  as we  know, of  the inhibitory  gnosis. I  will  now explain  how this
     technique  is employed  by  one for  the insertion  of sigils  for whatever
     purpose one feels the need.
          First one has to sigilise the desire in any form that one may wish,
     but in all cases and especially this  one, it must be very easy to  visual-
     ise. Once that has  been achieved, one may then begin  to design the ritual
     for  that particular  purpose in  mind. Banishings  and invocations  may be
     employed,  if so  wished, this is,  however, not  a necessity  for the suc-
     cessful  outcome  of this  process.  At  the culmination  of  the rite  the
     individual starts  the overbreathing, panting deeply  and spasmodically and
     at  the same  time visualising the  sigil as  vividly as  you possible can,
     bright,  intense and very clear  as the overbreathing  continues. Then when
     you feel that the time is right, start your spinning round and round, still
     overbreathing and still holding  your visualised sigil in your  mind`s eye.
     Music  can be played for a background to the dancing, tom toms or any other
     drum  is rather  excellent  background sound  for  this purpose.  When  the
     individual  has reached a state  of sheer exhaustion,  very dizzy, sweating
     and ready  to drop, he or she then, still spinning and overbreathing and of
     course holding the visulised sigil  in mind, works their way to  the centre
     of the circle or working area.
                                                                            1403
          There  a partner,  either  active or  passive to  the rite,  (in other
     words,  if a solo worker,  try to get  someone to help you  with this part)
     stops you spinning and grabs you in  a bear hug lifting you off the  ground
     and squeezing you about the  solar plexus, where a large network  of nerves
     lie.  At  this precise  moment  the music,  if  any has  been  employed, is
     stopped, and death-like silence is kept. The practitioner  holds his or her
     breath whilst being squeezed and the sigil is visualised as if burning with
     bright, white heat as its image is burnt into your mind. Within seconds the
     blackout will occur and the sigil is lost to the mind. At this point it is
     important that your partner lets  you drop to the floor, unless that is you
     wish to return to primal chaos!
     On  coming round, in  most cases, you  should evoke laughter  to banish the
     sigil and all thoughts thereof,  your laughter breaks that silence  and the
     rite is finished in whatever manner wished.
     With fractalic greetings and laughter  * Fra.: Apfelmann *
                                                                            1404
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